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by Harold Davis
The Way of the Digital Photographer: Walking the Photoshop post-production path to more creative photography
Title Page
Copyright Page
Acknowledgments
Dedication
Contents
Introduction
Digital Photography Is Painting
First things first
The camera to use
JPEG versus RAW
Photoshop prejudices
Photoshop CC
Make sure to open images as windows, not tabs
Seeing is about light
It all starts with a layer
Working with layer masks
Creating a layer stack
Combining two exposures with a Hide All layer mask
Using a Reveal All layer mask to combine two exposures
Using the Brush Tool
Selective sharpening
Working with gradients
Using the Gradient Tool to seamlessly blend two layers
Drawing directly on a layer
Introducing blending modes
Screen blending mode
Using Screen for selective lightening
Multiply blending mode
Blending mode categories
Testing the blending mode categories
Comparative blending
Workflow
Do it on your iPhone: Slow Shutter Cam
Multi-RAW and Hand-HDR Processing
Multi-RAW processing
Expanding tonal range with multi-RAW processing
All roads lead to Photoshop
Adjusting exposure selectively
Hand-HDR
Shooting a bracketed sequence for hand-HDR
May the force be with your florals
Automated HDR
Automated HDR programs
Do it on your iPhone: PhotoForge
Enhancement to Glory
Workflow redux
Checkpoints
Tripping the light fantastic
Why be average?
First pair: Multiply and Screen blending modes
Third pair: Glamour Glow and Tonal Contrast
A second helping of HDR
Pushing the boundaries: Pixel Bender
Some other painterly filters
Using LAB inversions
Understanding the LAB color model
Black and white
Backgrounds and textures
Blending a background with an image
Using textures to change the scene
Do it on your iPhone: Lo-Mob and Plastic Bullet
Resources
Notes
Digging deeper
Come visit my blog
Software
Monitor calibration
Following the path
Glossary
Index
Search in book...
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