Color Balance

In the Color Balance palette, there are sliders to control brightness and contrast separately as well as the color channels red, green, and blue. These are global settings. To tweak a specific tonal range, use Curves; adjustments to tonal range cannot be done with Color Balance. Brightness and contrast apply to all color channels of the image.

Optimizing the image with Color Balance is quick and easy, but it only allows for relatively rough corrections. For that reason, experienced users prefer the more complicated tuning with Curves. This feature allows much finer color balance and contrast correction.

Brightness

Brightness changes the brightness of the entire image. For example, if many details are overexposed, the overall brightness can be reduced. It is not possible to make a specific tonal range darker or brighter. DEE and comparable functions are available for that purpose.

Contrast

Contrast describes the brightness difference between bright and dark portions of the image. If the contrast is too low, the image looks flat. If the contrast is too high, details get lost and the color distribution in general looks hard and unnatural. Below, the example with the maple leaf is a collage of three partial images. In the middle the contrast is ideal, on the left it is too low, and on the right it is too high.

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The Color Balance palette in Nikon Scan.

Color Channels

The color channels allow the red, green, and blue portions of the image to be adjusted. If, for instance, the image has a red cast, the red channel needs to be reduced. The slide below has a minor green cast that has been corrected in the left half.

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When the contrast is too low, the image looks flat. When it is too high, it looks unnatural.

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On the left, the color cast has been removed by correcting the green channel.

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The contrast can also be corrected with an S-shaped tonal response under Curves.

The flat original (left half) becomes much more contrasty (right half).

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