A note on the digital index
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A
- A/D Conversion, Scanning Prints, Scan – Create the Image File
- AACO, Digital DEE – Correction for Highlights and Shadows
- Adobe Camera Raw, RAW Data
- Adobe Photoshop, Photoshop Cannot Save NEF Natively
- Adobe RGB, Color Spaces, sRGB, Adobe RGB, etc.: Color Spaces for Gamma 2.2
- Agfa, Physically Removing Dust
- Analog Gain, Analog Gain, Set Level Adjustments: Shifting Black and White Points
- Anti-Newton Glass, Color Slides!
- Apple RGB, sRGB, Adobe RGB, etc.: Color Spaces for Gamma 2.2
- Applied Science Fiction, Infrared Clean – Scratch Removal in VueScan
- APS (Advanced Photo System), Kodak Picture CDs, Supported Film Formats and Bulk Scanning
- Auto Retouch, Control Points
B
- Backup, Backup
- Banding, Multi-Sampling/Multi-Exposure
- Batch Renaming, Performance Gain Through Caching
- Batch Scan, Single Scan, Input, Prefs, JobManager for Batch Scans, Change and Save the Default Settings
- Beep, Prefs
- Before-and-After Comparison, Working with Histograms
- Black Border, Preview – Corrections Before the Scan, Rotating and Mirroring the Image, Filmstrip Offset, Input
- Black Point, Before/After Histogram Button and Auto Contrast
- Black-and-White Negative, Scanhancer with Black-and-White Negatives, Wish List for Future Film Scanners, Black and White Negatives?
- Blu-Ray, Optical Media: CD, DVD and Blu-ray
- BMP, BMP (Windows) and PICT (Macintosh)
- Braun Multimag Slidescan 4000, The Expensive Nikon Way
- Brightness, Setting Image Size, Position and Resolution, Analog Gain
- Bruce RGB, sRGB, Adobe RGB, etc.: Color Spaces for Gamma 2.2
- Bulk Scanning, Supported Film Formats and Bulk Scanning
C
- C41, Kodachrome Slides
- Cache, Cataloging with IPTC Data
- Calibration, Definition of Calibration and Profiling, Download ICC Profiles or DIY?, Monitor Calibration via Hardware with ColorVision Spyder 2
- Camera-Lens Combination, Digital Workflow: Shooting and Editing
- Canon EOS 1ds Mark II, It’s all about the lens
- Capture NX2, Nikon Capture NX 2
- Catalog, The Simpler, the Better
- CD, Optical Media: CD, DVD and Blu-ray
- Chroma, Setting the Gray Point
- Chromogenic Color Film, Kodachrome Slides
- CIE RGB, sRGB, Adobe RGB, etc.: Color Spaces for Gamma 2.2
- Clone Stamp, Correcting with Photoshop and Photoshop Plug-ins
- Clone Tool, Image Processing
- CMYK, Color Models
- CMYK-Tiff, JPEG 2000 – Lossless Compression
- Color Balance, Setting Image Size, Position and Resolution
- Color Boost, Color Boost
- Color Cast, Color Channels, Analog Gain, Total Integration, Plug-in vs. Scan Program
- Color Depth, Color Depth of Scanner, Color Depth in Image File Formats, Scan – Create the Image File, Setting Image Size, Position and Resolution
- Color Management, Why Color Management?, Color Management, Color Settings
- Color Match RGB, sRGB, Adobe RGB, etc.: Color Spaces for Gamma 2.2
- Color Model, Gamut, Gamut, Color Models
- Color Negative, Black and White Negatives?
- Color Profile, BMP (Windows) and PICT (Macintosh), Color Settings
- Color Slide, Black and White Negatives?
- Color Space, Color Spaces
- Colorimeter, Monitor Calibration via Hardware with ColorVision Spyder 2
- Colorsync, Output Profiles
- Colorvision Spyder, Monitor Calibration via Hardware with ColorVision Spyder 2
- Compressed Air, Handling Film Strips
- Compressor, Curled, Wavy Film
- Configuration, Preview Area
- Contrast, Setting Image Size, Position and Resolution
- Control Point, Control Points, Photo Effects
- CPU Usage, Learning Curve
- Cropping, Film Scanner Resolution and Maximum Print Size, Rotating and Mirroring the Image, Input, Set Level Adjustments: Shifting Black and White Points
- CRT (Cathode Ray Tube), Which PC is Suitable?
- Curled Film, Curled, Wavy Film
- Curves, Threshold, Analog Gain
D
- D-Lighting, Digital DEE – Correction for Highlights and Shadows
- Darkroom, Introduction
- Data Backup, 6 MP Easily Beats 20 MP
- Data Storage, Shooting a Projected Slide with a Digital Camera
- DEE, Digital DEE – Correction for Highlights and Shadows
- Density Range, Density Range
- Depth Of Field, Depth of Field
- Digital GEM, It’s All in the Lens, Digital GEM, Photoshop Plug-ins from Applied Science Fiction
- Digital ICE, Professional Scanning Services, Curled, Wavy Film, Digital ICE, RAW Data, Set Level Adjustments: Shifting Black and White Points
- Digital Negative, Hybrid Workflow: Shooting Analog, Scanning, Digital Processing, Digital Workflow: Shooting and Editing, Differences between Digital Cameras and Film Scanners
- Digital ROC, Infrared Clean – Scratch Removal in VueScan, Restoring Colors with Digital ROC
- Digital SHO, Photoshop Plug-ins from Applied Science Fiction
- Dmax, Digital Single Lens Reflex Cameras, Density Range
- Dmin, Density Range
- DNG, BMP (Windows) and PICT (Macintosh), RAW Data
- Downward Compatibility, Control Points
- dpi, Nominal Resolution, DPI = Dots per Inch
- Driver Applications, Configuring the Scanning Software
- DSLR, 6 MP Easily Beats 20 MP
- Duplication Of Slides, Shooting a Projected Slide with a Digital Camera
- Dust, Curled, Wavy Film
- Dust Reduction, Physically Removing Dust
- Dust Removal, Dust and Scratch Removal in Software, Digital ICE, Correcting with Photoshop and Photoshop Plug-ins
- Hardware, Digital ICE
- Software, Dust and Scratch Removal in Software
- DVD, Digital Workflow: Shooting and Editing, Optical Media: CD, DVD and Blu-ray
- DVD Player, Kodak Picture CDs
E
- E6, Kodachrome Slides
- Eizo CG-221k, Which PC is Suitable?
- Epson Perfection V 500 Photo, It’s All in the Lens
- Epson Perfection V700, Digital Single Lens Reflex Cameras
- Epson Perfection V750 Pro, Flatbed Scanners with Transparency Adapters
- Epson Stylus Photo 1400, Lab
- Export Settings, Store and Delete Settings
F
- FARE, Professional Scanning Services, Set Level Adjustments: Shifting Black and White Points
- FH-3, Depth of Field
- File Format, Setting Image Size, Position and Resolution
- File Size, It’s all about the lens
- Film, Digital Workflow: Shooting and Editing
- Film Formats, Supported Film Formats and Bulk Scanning
- Film Orientation, Physically Removing Dust
- Film Profile, Color Space Profiles
- Film Resolution, Digital Workflow: Shooting and Editing
- Film Scanner, Hybrid Workflow: Shooting Analog, Scanning, Digital Processing, It’s all about the lens, Shooting a Projected Slide with a Digital Camera
- Film Storage, Curled, Wavy Film
- Filmstrip Offset, Scanning Methods, Filmstrip Offset
- Firewire, High Speed is Way Faster than Full Speed, Backup to an Additional Hard Disk
- Firmware, Customer Support
- Focus Point, Setting Your Own Focus Point, Set Level Adjustments: Shifting Black and White Points
- Fuji Velvia, Dramatic Color Change
- Fujicolor CD, Kodak Picture CDs
- Fujifilm Nexia Sepia, Kodachrome Slides
- Full-Frame Setting, Preview – Corrections Before the Scan
G
- GANE, VueScan Grain Reduction
- Gaussian Blur, Selection Tools and Other Similar Functions, An Alternative to GEM
- Gepe, Rotating and Mirroring the Image
- Glass Mount, Color Slides!
- Go-back Button, 6 MP Easily Beats 20 MP
- Grain, An Alternative to GEM
- Grain Reduction, Digital GEM
- Grain Removal Preview, VueScan Grain Reduction
- Gray Card, Black Point and White Point
- Gray Point, Black Point and White Point, Color Settings
- Grayscale, Color Depth in Image File Formats
H
- Hama DSR, Glassless Mounts
- Handling Film, Curled, Wavy Film
- Healing Brush, Removing Scratches with the Clone Stamp
- High Pass, An Alternative to GEM
- High-key, Introduction
- Highlight, Correcting Perspective Distortion
- Histogram, Curves
- Hue, Chroma
- Human Eye, Color Depth of Scanner
- Hybrid Photography, Hybrid Workflow: Shooting Analog, Scanning, Digital Processing
I
- ICC Profile, Conversion between Color Spaces, Monitor Calibration via Hardware with ColorVision Spyder 2, Color Management
- ICE, Silver Crystals Block Infrared Detection, Silver Crystals Block Infrared Detection
- ICM, Output Profiles
- IEEE-1394b, High Speed is Way Faster than Full Speed
- IIford XP2 Super, Kodachrome Slides
- Image Correction, Scanning Speed
- Image Database, Hybrid Workflow: Shooting Analog, Scanning, Digital Processing, Image Management
- Image File Corruption, Differences between Digital Cameras and Film Scanners
- Image Management, Image Management
- Image Noise, Analog Gain
- Image Pac, Shooting a Projected Slide with a Digital Camera
- Image Quality, Shooting a Projected Slide with a Digital Camera, Color Depth in Image File Formats
- Image Resolution, The Right Image Size and Resolution
- Image Size, The Right Image Size and Resolution
- Import Settings, Store and Delete Settings
- Infrared Clean, Infrared Clean – Scratch Removal in VueScan, RAW Data
- Input Profile, Color Management
- Interface, Interfaces: Connection Between Scanner and Computer
- Interpolation, Nominal Resolution
- IPTC, The Simpler, the Better
- IRclean, Silver Crystals Block Infrared Detection, Silver Crystals Block Infrared Detection
- ISO, DPI = Dots per Inch, USAF-1951 Test Target: Determining the Actual Resolution
- iSRD, SilverFast SRD
- IT-8 Calibration, Conclusion
J
K
- Key Color, Color Models
- Kodachrome, Scanhancer with Kodachrome Slides, Kodachrome Slides, Digital ICE, Silver Crystals Block Infrared Detection
- Kodak, Kodak Picture CDs
- Kodak BW400cn, Kodachrome Slides
- Kodak Pro-Photo CD, Kodak Picture CDs
- Kodak T-Max, Kodachrome Slides
- Konica Monochrome VX 400, Kodachrome Slides
L
- Lab, Introduction, Lab
- Lab Processing, Curled, Wavy Film
- Lamp Brightness, CMS Tab
- Large-format, Digital Single Lens Reflex Cameras, Supported Film Formats and Bulk Scanning
- Layer, Control Points Instead of Layers and Masks
- LCD, Which PC is Suitable?
- LCH Editor, Setting the Gray Point
- LED, Scanner Light Sources, Scanhancer with Black-and-White Negatives
- Lens, It’s All in the Lens
- Lens Aberration, Digital Workflow: Shooting and Editing
- Level Adjustment, Set Level Adjustments: Shifting Black and White Points
- Lightbox, Image Corrections Before the Scan, The User Interface
- Lightness, Setting the Gray Point
- Lossless Compression, JPEG 2000 – Lossless Compression
- Lossy Compression, Configuring the Scanning Software
- Lost Highlight, Color Settings, D-Lighting: Successor to Digital DEE
- Lost Shadow, Color Settings, D-Lighting: Successor to Digital DEE
- Loupe, Image Corrections Before the Scan
- Low-Dispersion Glass, It’s All in the Lens
- Low-Key, Introduction
- LTO, Optical Media: CD, DVD and Blu-ray
- Lupas Rename, Performance Gain Through Caching
M
- MA-21, It’s All in the Lens
- Mask, SilverFast SRD, Control Points Instead of Layers and Masks
- Master File, Differences between Digital Cameras and Film Scanners
- Match Color, Match Color
- Maximum Print Size, Film Scanner Resolution and Maximum Print Size
- Measured Resolution, It’s all about the lens
- Medium-Format, Digital Single Lens Reflex Cameras, Supported Film Formats and Bulk Scanning
- Megapixel, Digital Workflow: Shooting and Editing
- Microtek Artixscan 120tf, Scanner Light Sources
- Minolta Dimage Scan Multi Pro, It’s All in the Lens
- Mirroring, Scanning Methods, Configuring the Scanning Software
- Monitor Profile, Color Management
- Multi Exposure, Density Range, Analog Gain
- Multi-Exposure, Multi-Sampling/Multi-Exposure, Speeding up Scans
- Multi-sampling, Density Range, Multi-Sampling/Multi-Exposure, Input
N
- Neat Image, Noise Reduction with Noise Ninja
- NEF, Differences between Digital Cameras and Film Scanners, The Ugly Side of Proprietary Standards, VueScan RAW Files, VueScan RAW Files, VueScan RAW Files, NEF II: NEF Compressed, Conclusion
- Compressed, VueScan RAW Files
- Original, VueScan RAW Files
- Scanned, NEF II: NEF Compressed
- NEF Converted, NEF II: NEF Compressed
- Negafix, Negafix
- Negative, Color Negatives, Kodachrome Slides
- B/W, Kodachrome Slides
- Color, Color Negatives
- Newton Rings, Curled, Wavy Film
- Nikon Capture, The User Interface
- Nikon Capture NX2, Working with Digital Negatives
- Nikon Coolscan 5000, Flatbed Scanners with Transparency Adapters, Multi Exposure: Enhance Density by Software, Dramatic Color Change, Color Slides
- Nikon Coolscan 9000, It’s All in the Lens, SilverFast SE, Ai, Ai Studio and HDR
- Nikon Coolscan IV, Scanner Light Sources, Color Slides
- Nikon Coolscan V, SilverFast SE, Ai, Ai Studio and HDR
- Nikon D300, Digital Workflow: Shooting and Editing
- Noise, An Alternative to GEM
- Noise Ninja, Noise Reduction with Noise Ninja
- Noise Reduction, Noise Reduction with Noise Ninja
- Nominal Resolution, It’s all about the lens
- Novoflex, Scanning Prints
- NTSC (1953), sRGB, Adobe RGB, etc.: Color Spaces for Gamma 2.2
O
- Optical Resolution, Nominal Resolution
- Overexposure, Digital DEE – Correction for Highlights and Shadows, Analog Gain
P
- Palette, Dynamic Palettes
- PC, Hybrid Workflow: Shooting Analog, Scanning, Digital Processing, Learning Curve
- Pentax, Image Corrections Before the Scan
- Pepper-Grain Effect, Scanhancer with Black-and-White Negatives
- Perspective Distortion, Correcting Perspective Distortion
- Photo CD, Shooting a Projected Slide with a Digital Camera
- Photo Effect, Color Boost
- Photoshop, Kodak Picture CDs, Working with Digital Negatives, Digital DEE – Correction for Highlights and Shadows, Installation, Documentation, Nikon Capture NX 2
- Plug-in, Correcting with Photoshop and Photoshop Plug-ins
- Polaroid, Healing Brush and Spot Healing Brush
- Popping, Color Slides!
- Portrait Photography, 6 MP Easily Beats 20 MP
- Post-Processing, Analog Workflow for Negative Film
- Poster-Size Scans, The Right Image Size and Resolution
- ppi, Nominal Resolution, DPI = Dots per Inch
- Preview, Scanning Methods, Information Panel
- Print Resolution, Nominal Resolution
- Profile, Definition of Calibration and Profiling, Output Profiles, Output Profiles
- Display, Output Profiles
- Input, Definition of Calibration and Profiling
- Output, Output Profiles
- Profiling, Definition of Calibration and Profiling
Q
- Quato 5000, SilverFast SRD
R
- Radius, Unsharp Masking
- RAW, Differences between Digital Cameras and Film Scanners, Working with Digital Negatives, BMP (Windows) and PICT (Macintosh), VueScan RAW Files, Scan – Create the Image File, Purchase and Installation, RAW Data, SilverFast SE, Ai, Ai Studio and HDR, Image Processing, Change and Save Defaults for RAW Data, Nikon Capture NX 2, Performance Gain Through Caching
- VueScan, VueScan RAW Files
- Red-Eye, Correcting Red-eye Effects in NEF Files
- Reflecta Digitdia 4000, Supported Film Formats and Bulk Scanning
- Reflecta Proscan 4000, The Expensive Nikon Way
- Removable Media, Backup to an Additional Hard Disk
- Resolution, Digital Workflow: Shooting and Editing, Digital Single Lens Reflex Cameras, Nominal Resolution, The Right Image Size and Resolution, The Right Image Size and Resolution, Filmstrip Offset
- Absolute, The Right Image Size and Resolution
- Relative, The Right Image Size and Resolution
- Restore Fading, Infrared Clean – Scratch Removal in VueScan
- RGB, Color Depth of Scanner, Color Models
- Robert Capa, Digital Workflow: Shooting and Editing
- Rodenstock, Image Corrections Before the Scan
- Rotating, Scanning Methods, Configuring the Scanning Software
S
- SA-21, Scan – Create the Image File
- Scan From Disk, Automated Batch Processing
- Scan Resolution, It’s all about the lens, Input, Set Level Adjustments: Shifting Black and White Points
- Scanhancer, It’s All in the Lens
- Scanner, Digital Workflow: Shooting and Editing, Digital Single Lens Reflex Cameras
- Scanner Calibration, Monitor Calibration via Hardware with ColorVision Spyder 2
- Scanner Light, Scanner Light Sources, Dust and Scratch Removal in Software
- Scanner Profile, Color Management
- Scanning Cost, Professional Scanning Services
- Scanning Prints, Scanning Prints
- Scanning Service, Professional Scanning Services
- Scanning Speed, Wish List for Future Film Scanners
- ScanPilot, Look and Feel
- Schneider, Image Corrections Before the Scan
- Scratch Removal, Dust and Scratch Removal in Software, Digital ICE, Correcting with Photoshop and Photoshop Plug-ins
- Hardware, Digital ICE
- Software, Dust and Scratch Removal in Software
- SCSI, Interfaces: Connection Between Scanner and Computer
- Selection Brush, Selection Tools and Other Similar Functions
- Selection Tool, Selection Tools and Other Similar Functions
- Selective Color Correction, Image Processing
- Serial Number, Purchase and Installation
- Shadow, Correcting Perspective Distortion
- Shadow/Highlight, Digital DEE – Correction for Highlights and Shadows
- SilverFast Ai, SilverFast SE, Ai, Ai Studio and HDR
- SilverFast Ai Studio, Digital DEE – Correction for Highlights and Shadows
- SilverFast HDR, BMP (Windows) and PICT (Macintosh), RAW Data
- SilverFast SE, SilverFast SE, Ai, Ai Studio and HDR
- Single Pass Multi-Sampling, Multi-Sampling/Multi-Exposure
- Single Scan, Preferences
- Slanted Horizon, Lost Highlights and Shadows
- Slide, Color Negatives
- Color, Color Negatives
- Slide Feeder, Change and Save the Default Settings
- Slide Mount, Color Slides!
- Slide Projection, Shooting a Projected Slide with a Digital Camera
- Slide Show, Analog Workflow for Negative Film
- Speed, Scanning Speed
- spi, Nominal Resolution, DPI = Dots per Inch
- Spot Healing Brush, Removing Scratches with the Clone Stamp
- SRD, Dust and Scratch Removal in Software
- sRGB, sRGB, Adobe RGB, etc.: Color Spaces for Gamma 2.2
- Stand-alone Mode, Installation
- Stand-alone Program, SilverFast SE, Ai, Ai Studio and HDR
- Storage, Digital Workflow: Shooting and Editing
- Stretching Levels, Set Level Adjustments: Shifting Black and White Points
T
- Target, USAF-1951 Test Target: Determining the Actual Resolution
- Tensioning Mount, Dust and Scratch Removal for Black-and-White
- Test Report, Scanning Speed
- Threshold, Threshold
- Thumbnail, Information Panel
- Thumbnail Index, Scanning Methods
- Thumbs Plus, Cataloging with IPTC Data
- TIFF, Professional Scanning Services, JPEG 2000 – Lossless Compression, Scan – Create the Image File
- TIFF-HDR, SilverFast SE, Ai, Ai Studio and HDR
- Tonal Range, Kodak Picture CDs, Set Level Adjustments: Shifting Black and White Points
- Tonal Response, Color Channels
- Tura BW-C41, Kodachrome Slides
- TWAIN, Nikon Scan, Purchase and Installation, Scans from Disk with HDR
U
- U Point, Photo Effects
- Underexposure, Digital DEE – Correction for Highlights and Shadows, Analog Gain
- Unsharp Mask, An Alternative to GEM
- Unsharp Masking, Unsharp Masking
- USAF-1951, USAF-1951 Test Target: Determining the Actual Resolution, It’s All in the Lens
- USB, Interfaces: Connection Between Scanner and Computer, Backup to an Additional Hard Disk
V
- Virtual Light Table, Creating RAW Files
- VueScan, VueScan
W
- Warped Film, Setting Your Own Focus Point
- Wavy Film, Curled, Wavy Film
- Wedding, Selection Tools and Other Similar Functions
- Wess, Curled, Wavy Film
- White Point, Before/After Histogram Button and Auto Contrast
- Wide Gamut RGB, sRGB, Adobe RGB, etc.: Color Spaces for Gamma 2.2
- Workflow, Introduction, Hybrid Workflow: Shooting Analog, Scanning, Digital Processing, Hybrid Workflow: Shooting Analog, Scanning, Digital Processing, Digital Workflow: Shooting and Editing, Change and Save the Default Settings, Generate Overview Scan, Set Defaults for RAW Data, Photoshop Cannot Save NEF Natively
- Analog, Introduction
- Digital, Digital Workflow: Shooting and Editing
- Hybrid, Hybrid Workflow: Shooting Analog, Scanning, Digital Processing
- Mixed, Hybrid Workflow: Shooting Analog, Scanning, Digital Processing
- Nikon Scan, Change and Save the Default Settings
- SilverFast, Generate Overview Scan
- Vuescan, Set Defaults for RAW Data
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