- Copyright
- About the Author
- Much Obliged!
- Foreword
- Introduction
- Tool and Palette Primer
- Selection Primer
- Layers Primer
- How Do Layers Work?
- Meeting the Layers
- Creating Layers
- Active Layer
- Stacking Order
- Background Image
- The Eyeballs: What They See Is What You Get
- Opacity
- Moving Layers
- Selecting Multiple Layers
- Linking Layers
- Trimming the Fat
- Copying Between Documents
- Duplicating Layers
- Deleting Layers
- Transforming Layers
- Locking Up
- Layer Styles
- Adjustment Layers
- Fill Layers
- The Blending Mode Menu
- Automatic Selections
- Via Copy
- Use All Layers
- Shortcuts
- Grouping Layers
- No Thumbnail View
- Layer Bounds View
- Color Coding
- Merging Layers
- Closing Thoughts
- Production Essentials
- Resolution Solutions
- Optimizing Grayscale Images
- Understanding Curves
- Color Management
- Color Correction
- Closing Thoughts
- Using Camera Raw
- Adjusting Multiple Images
- Finishing Touches
- Closing Thoughts
- Color Manipulation
- Adjustment Layers
- Two Methods For Adjusting An Image
- Using Adjustment Layers
- Photo Filter Adjustments
- Blending Modes
- Adjusting Isolated Areas
- Limiting The Brightness Range That's Affected
- Limiting Which Layers Are Affected
- Histograms & Automatic Adjustments
- Potential Problems
- Limitations of Adjustment Layers
- Closing Thoughts
- Sharpening
- Creative Explorations
At the Core Is the Color Wheel
The vast majority of Photoshop's color controls are based on a classic color wheel (Figure 10.1). If you understand a few basic concepts about the color wheel, then you'll be ahead of the game when it comes to controlling color in Photoshop.
Figure 10.1. Most of Photoshop's color adjustment features are based on the color wheel.
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