Contents of Volume II

Media Production

Full Contents

Contributors to Volume II

General Editor's Acknowledgments

Media Studies: The Interdiscipline of the Present and the Future

Angharad N. Valdivia

Making Media Production Visible

Vicki Mayer

PART 1 PRODUCTION REGIMES AND INFRASTRUCTURES

1 The Governance of Communication and Culture: Regularizing the Regimes of Production and Consumption

Katharine Sarikakis

2 Media Production and Information Policy: Growth Through Replication

Patrick Burkart and Lucas Logan

3 The Slippery Slopes of “Soft Power”: Production Studies, International Relations, and the Military Industrial Media Complex

Jonathan Burston

4 Television-Set Production in the Era of Digital TV

Mari Castañeda

5 Citizenship and Media Ownership

John McMurria

PART 2 THE CULTURAL INDUSTRIES AND THE ORGANIZATION OF PRODUCTION

6 Music in the New Capitalism

Timothy D. Taylor

7 Whither the Professional Book Publisher in an Era of Distribution on Demand

Laura J. Miller

8 “This Is What I Need, This Is What Will Travel”: Television Programs in the Era of Transition

Shawn Shimpach

9 How Should We Think About Audience Power in the Digital Age?

Joseph Turow

PART 3 PRODUCT AND CONTENT FLOWS

10 A Critical Analysis of Cultural Imperialism: From the Asian Frontlines

Dal Yong Jin

11 Hollywood's Presence in Latin America: Production Participation to Distribution Dominance

Tamara L. Falicov

12 Global Ugly Betty: International Format Trade and the Production of National Adaptations

Lothar Mikos and Marta Perrotta

13 The Comings and Goings of Key Scenarios: TV Fiction, Culture, and Transnational Flows in Postcolonial Kinshasa

Katrien Pype

PART 4 PRODUCTION WORK AND PRACTICES

14 Why Has News Production in the United States Remained Stable at a Time of Great Change?

David Michael Ryfe

15 The Production of Mediated Performance

Espen Ytreberg

16 Imagination and Censorship, Fiction and Reality: Producing a Telenovela in a Time of Political Crisis

Carolina Acosta-Alzuru

17 Distributed Creativity in Film and Television: Three Case Studies of Networked Production Labor

Introduction

John T. Caldwell

Aggregating Content/Disaggregating Labor in Tentpole TV

M. J. Clarke

Distributed Assistanthood: Dues-Paying Apprentices and “Desk Slaves,”

Erin Hill

Sourcing Film Market Intelligence: Box Office Data, Tracking, and the Hollywood Stock Exchange

Eric Vanstrom

18 YouTube Stylo: Writing and Teaching with Digital Video

Alexandra Juhasz

PART 5 PRODUCTION CULTURES

19 Queer Broadcasts: Backstage Television, Insider Material, and Media Producers

Quinn Miller

20 Hollywood Elsewhere: The Runaway Locations Industry and Transnational Production Cultures

Serra Tinic

21 Transformations and Tactics: The Production Culture of the Hong Kong Film Industry

Sylvia J. Martin

22 Youth as Cultural Producers / Cultural Productions of Youth

Lora Taub-Pervizpour

PART 6 THE ETHICS OF PRODUCTION

23 “What's TV Good For?” Views of Producers of Television for Children around the World

Dafna Lemish

24 Is Media Work Good Work? A Case Study of Television Documentary

David Hesmondhalgh and Anna Zoellner

25 Community Media Production: Access, Institutions, and Ethics

Ellie Rennie

26 Neglected Elements: Production, Labor, and the Environment

Richard Maxwell and Toby Miller

Index

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