General Editor's Acknowledgments
Media Studies: The Interdiscipline of the Present and the Future
Making Media Production Visible
PART 1 PRODUCTION REGIMES AND INFRASTRUCTURES
2 Media Production and Information Policy: Growth Through Replication
Patrick Burkart and Lucas Logan
4 Television-Set Production in the Era of Digital TV
5 Citizenship and Media Ownership
PART 2 THE CULTURAL INDUSTRIES AND THE ORGANIZATION OF PRODUCTION
7 Whither the Professional Book Publisher in an Era of Distribution on Demand
8 “This Is What I Need, This Is What Will Travel”: Television Programs in the Era of Transition
9 How Should We Think About Audience Power in the Digital Age?
PART 3 PRODUCT AND CONTENT FLOWS
10 A Critical Analysis of Cultural Imperialism: From the Asian Frontlines
11 Hollywood's Presence in Latin America: Production Participation to Distribution Dominance
12 Global Ugly Betty: International Format Trade and the Production of National Adaptations
Lothar Mikos and Marta Perrotta
PART 4 PRODUCTION WORK AND PRACTICES
14 Why Has News Production in the United States Remained Stable at a Time of Great Change?
15 The Production of Mediated Performance
16 Imagination and Censorship, Fiction and Reality: Producing a Telenovela in a Time of Political Crisis
17 Distributed Creativity in Film and Television: Three Case Studies of Networked Production Labor
Aggregating Content/Disaggregating Labor in Tentpole TV
Distributed Assistanthood: Dues-Paying Apprentices and “Desk Slaves,”
Sourcing Film Market Intelligence: Box Office Data, Tracking, and the Hollywood Stock Exchange
18 YouTube Stylo: Writing and Teaching with Digital Video
19 Queer Broadcasts: Backstage Television, Insider Material, and Media Producers
20 Hollywood Elsewhere: The Runaway Locations Industry and Transnational Production Cultures
21 Transformations and Tactics: The Production Culture of the Hong Kong Film Industry
22 Youth as Cultural Producers / Cultural Productions of Youth
PART 6 THE ETHICS OF PRODUCTION
23 “What's TV Good For?” Views of Producers of Television for Children around the World
24 Is Media Work Good Work? A Case Study of Television Documentary
David Hesmondhalgh and Anna Zoellner
25 Community Media Production: Access, Institutions, and Ethics
26 Neglected Elements: Production, Labor, and the Environment
3.137.223.190