Colorizing Images

You can create interesting hybrid colorized black-and-white photos by allowing the colors in the original image to partially show through from lower layers.

The source image (Figure 10-48) has nice bright colors, but its monochrome cousin is a good photo too (Figure 10-49), even if it is a little dull. It results from a simple conversion using Photoshop’s Black & White command, as described in Black-and-White Conversion Using the Black & White Command. Figure 10-47 shows the resulting Layers panel. Before converting it, we tuned the image using Shadows/Highlights and sharpened it using Smart Sharpen.

Our Layers stack after optimization and black-and-white conversion

Figure 10-47. Our Layers stack after optimization and black-and-white conversion

To produce the alternative version in Figure 10-51, we reduced the opacity of our Black & White adjustment layer to about 80% (Figure 10-50 and Figure 10-51).

A door in Soho (New York) is our source image

Figure 10-48. A door in Soho (New York) is our source image

Photoshop monochrome version

Figure 10-49. Photoshop monochrome version

We bring our color image to the fore by reducing the opacity of our Black & White adjustment layer.

Figure 10-50. We bring our color image to the fore by reducing the opacity of our Black & White adjustment layer.

Here, we reduced the opacity of the Black & White adjustment layer to 80%, allowing the original colors to shine through slightly.

Figure 10-51. Here, we reduced the opacity of the Black & White adjustment layer to 80%, allowing the original colors to shine through slightly.

As well as playing with opacity, you can experiment with other color/monochrome effects. We created an additional Hue/Saturation adjustment layer and used it to reduce the reds Saturation to “-71”. We placed this layer under the monochrome layer (Figure 10-53) to get the result in Figure 10-54.

Strong red reduction that mainly affects the bricks

Figure 10-52. Strong red reduction that mainly affects the bricks

This technique can be used to produce subtly colored images with their very own charm.

The Layers stack for the hybrid version of our image

Figure 10-53. The Layers stack for the hybrid version of our image

The finished hybrid version of our door photo

Figure 10-54. The finished hybrid version of our door photo

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